Red Hong flyby completed

[BKilburn]

Turn on your sound.

[Support]

when?

[BKilburn]

when?

And done!

Scroll back to OP.

[Support]

I saw it on your Facebook, it's impressive Bryan. The whole thing is, textures, the ground, sky, and the sound, wow, It really felt like the beginning of a movie intro, so cool, X1000000 It's so good, too bad it's 6 sec, I was expecting "Sonic, a film by Bryan Kilburn, featuring, Okwa (Chris) and GateGirl (Meanie)"

[BKilburn]

Thanks!

Most scenes in TV and movies are often no longer than 3-6 seconds. A really long scene is around 10 seconds.

[Support]

Thanks!

Most scenes in TV and movies are often no longer than 3-6 seconds. A really long scene is around 10 seconds.

oh I didn't know that, but why it seems to take minutes then?? with the text scrolling etc.

[BKilburn]

Thanks!

Most scenes in TV and movies are often no longer than 3-6 seconds. A really long scene is around 10 seconds.

oh I didn't know that, but why it seems to take minutes then?? with the text scrolling etc.

Everything about moving pictures is an illusion. A series of still frames turns into movement. A series of movements turns into scenes. A series of scenes turns into suspended time.

With titles, most people can read a small body of text in about 6 seconds. A good scroll of text will take about 6 seconds from on screen to off screen. Still titles last about 3 seconds. It depends on the density of text.

Timing is everything in film and TV. It's the first thing any aspiring filmmaker should learn.

[Support]

I'm gonna have to pay attention to that

[BKilburn]

I'm gonna have to pay attention to that

I really did work in professional film and TV for a few years. I started out as a grip (fancy word for gofer and schleper) and rose to asst director/producer. Even made a few local shows as executive producer (fancy word for person in charge of everything, including original content). Learned all about lighting (gaffer) camera, audio, editing, scene logging, timing, etc.

I left because the pay is very erratic and my regional market is 3rd tier. So low pay AND not often enough. But I was not quite good enough for say, NY, Chicago or LA. Too much competition in those places as well. And I was too poor to go indie.

[Support]

I really did work in professional film and TV for a few years. I started out as a grip (fancy word for gofer and schleper) and rose to asst director/producer. Even made a few local shows as executive producer (fancy word for person in charge of everything, including original content). Learned all about lighting (gaffer) camera, audio, editing, scene logging, timing, etc.

I left because the pay is very erratic and my regional market is 3rd tier. So low pay AND not often enough. But I was not quite good enough for say, NY, Chicago or LA. Too much competition in those places as well. And I was too poor to go indie.

Well now that explain why it felt like a movie was starting. I learn something new today and new words too. It's too bad the work didn't go well for you, competition and low pay goes hand in hand, you don't need to work for nothing, that's crazy!

[Okwa]

Great, absolutely great. We can still learn a lot from you. Thank you for this great video.

[BKilburn]

Thanks Okwa!